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Free Download The Complete Idiot's Guide to Music Composition: Methods for Developing Simple Melodies and Longer Compositions (Complete Idiot's Guides (Lifestyle Paperback)), by Michael Miller

Free Download The Complete Idiot's Guide to Music Composition: Methods for Developing Simple Melodies and Longer Compositions (Complete Idiot's Guides (Lifestyle Paperback)), by Michael Miller

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The Complete Idiot's Guide to Music Composition: Methods for Developing Simple Melodies and Longer Compositions (Complete Idiot's Guides (Lifestyle Paperback)), by Michael Miller

The Complete Idiot's Guide to Music Composition: Methods for Developing Simple Melodies and Longer Compositions (Complete Idiot's Guides (Lifestyle Paperback)), by Michael Miller


The Complete Idiot's Guide to Music Composition: Methods for Developing Simple Melodies and Longer Compositions (Complete Idiot's Guides (Lifestyle Paperback)), by Michael Miller


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The Complete Idiot's Guide to Music Composition: Methods for Developing Simple Melodies and Longer Compositions (Complete Idiot's Guides (Lifestyle Paperback)), by Michael Miller

About the Author

Michael Miller is the author of several books, including The Complete Idiot’s Guide to Music Theory, The Complete Idiot’s Guide to Playing Drums, The Complete Idiot’s Guide to Singing, and The Complete Idiot’s Guide to Music Composition. He has been using Cubase for a number of years. He used Cubase SX to record the audio CD included with the second edition of The Complete Idiot’s Guide to Playing Drums.

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Product details

Series: Complete Idiot's Guides (Lifestyle Paperback)

Paperback: 288 pages

Publisher: Alpha (October 4, 2005)

Language: English

ISBN-10: 1592574033

ISBN-13: 978-1592574032

Product Dimensions:

8.5 x 0.6 x 10.9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

69 customer reviews

Amazon Best Sellers Rank:

#170,463 in Books (See Top 100 in Books)

If you're learning the piano and you've never written and official song before, then this is the book to get. Miller even outlines and suggest a dozen or so chord progressions to start out with plus a lot more. You should like this one, especially at the used prices they have on this title.In addition to this book, look into a software program named: EZ Keys- You can get it at Toontrack EZkeys Grand Piano. Or you can go over to sweetwater.com for a larger selection. I like the Vintage Upright Piano. It has that type of melodic hollow sound. Hey, with this program anyone can write all types of piano music, complete songs, no chopsticks piano tinkering licks here. I mean good sounding tunes even the most cynical of us can appreciate. It'll make you sound like a pro! Suddenly all those piano lessons we took during years ago will come back to you, make sense and even sound good. Even non musicians or non piano players can master this thing.That's right, in less than 30 minutes you'll be able to write tunes on the keyboard. An old friend told me about this software about a year ago. Of course you'll need:1.Electronic Keyboard: To interface with the software2.Audio Interface: (a few excellent brand names are-focusrite, behringer...3.Additional plugs to connect all of this stuff together.4.A pair of speaker-I like the black and green Mackies series.5.A computer and screen monitor.And just like that, boom, boom... Your're ready to go go!

This is a great book if you have an intermediate understanding of music theory and an interest in the inner workings of composition. Just be clear to note that this book does not address songwriting. It is packed full of the backbones of songwriting like structure, harmony, rhythm and melody but it does not apply it to a pop music media. Reading this book will give you a good grasp of how these things come together to form a composition but if you're looking to learn about the art of writing a song then it is best you look elsewhere.It is an easy read and has tons of examples. There is no accompanying CD so if you cannot sight read, the examples probably won't help you. If this sounds like you, reading a basic music theory book beforehand would be a wise choice.

This book forced mw to confront my lack of fret board knowledge. In the process I gained enlightenment about the fret board and how to construct chords. It's a beautiful process,every beginner should just sit with their guitar and construct chords. It'll make you think differently and make you attuned to sounds beyond the regular triad stuff.I'm about a few pages in and have learnt more now that I ever could watching youtube stuff. Just gotta sit down with a pencil and paper and construct chords.

This is a great introduction to music composition. Between this and the book on music theory I like this one better as it focusses a litle more on art-music (though not as much as I had hoped), but it is still a very very helpfull book.As for theory, Michel Miller's book was extreamly usefull in helping me understand most basic principles, though a lot of principles concerned with art-music composition are better represented elsewere (classical harmony, counterpoint, etc.)This observation is purely my own as this book is very thourough in introducing harmony and counterpoint that would benifit begining composers in the pop/rock/country/eccetra... idioms.This is a great book and one that I re-read frequently. In my opinion, any one interested in music composition should read this book.

I checked this out at the library more with a view to understanding the process of composition than to set out to compose. With the little bit of theory I have (Grade 5) and with the author's insights on creating melodies, I was able to compose two short pieces for piano. They sound pretty good, too! I am working on a third piece, and have just placed an order for this book.Miller writes in a nice, lucid style, and makes the process of composing seem quite do-able. I gravitated to creating the melody first and then harmonizing it, but Miller acknowledges that many people might prefer to start with a chord progression, and shows you how to compose in this way as well.It's helpful to have trained one's ear (the Paul Harris books and Musicians' Institute publication are very good) and to have 2-3 years of playing under one's belt. By that time you've seen enough scores and done enough theory to be up and running after a perusal of this book. It's also a good idea to work through the exercises - I do mean to do start doing the exercises, but couldn't help writing up more than just 4-8 measures of a melody line.

As most reviewers have said, one needs to have some background/knowledge about music before starting to use this book. It just so happens that I am just over the line wherein this book can be helpful to me! I love the exercises at the end of each chapter!!

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