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Reel Justice: The Courtroom Goes to the Movies
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About the Author
Paul Bergman is a professor of law emeritus at UCLA Law School and frequently lectures to lawyers and judges on how films depict law and legal culture. He has written numerous articles on the depiction of law and lawyers in films, as well as several books on evidence, trial advocacy, legal counseling, and legal processes for non-lawyers.Michael Asimow is professor of law emeritus at UCLA Law School. He specializes in administrative law and has written numerous books and articles about law and lawyers in movies and television, including Law and Popular Culture: A Course Book.
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Product details
Paperback: 384 pages
Publisher: Andrews McMeel Publishing (April 1, 2006)
Language: English
ISBN-10: 0740754602
ISBN-13: 978-0740754609
Product Dimensions:
9 x 1.1 x 6 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#539,072 in Books (See Top 100 in Books)
Overall, I liked having this book for my film class in law school. However, one thing really irked me that is really just inexcusable. On page 194, the authors provide an incorrect quotation about the Second Amendment. They omitted the most important comma in the amendment- the one that the Supreme Court even had to interpret in 2008. Further, they presented the issue as if there was no question how the Second Amendment should be read. They say one side believes that it regulates only militias, and that the other side believes that "the amendment means exactly what it says and prevents the government from interfering with gun ownership." While the Supreme Court has answered this question, to present the issue as if there is no real issue at all is disingenuous and incorrect. There is and continues to be a debate; and yes, it is because of the comma they conveniently omitted.
As a lawyer, I did not expect that a book on movie trials, aimed at a popular audience, would have much substance. But I was very pleasantly suprised. The authors, two law professors, do an excellent job of pointing out the numerous errors Hollywood makes when it tries to depict a trial. (Most non-lawyers would be surprised, for example, to learn that *My Cousin Vinny* is much more realistic than *The Verdict.*) The authors' discussions go into real (but not tedious) depth about not only the errors in the way judges, lawyers, etc., behave on film, but also the mistakes scriptwriters make in creating tactics and legal theories for their characters. In addition, the authors helpfully explain what would (most likely) *really* happen in many filmed situations. Because the authors treat each movie at length, this is not an exhaustive filmography. However, all the biggies are here, and the book also contains usefully organized indexes. This would be a great selection for lawyers, film buffs, or anyone who has to serve on a jury.
Please take note: The book has been updated in 2006 so the new edition includes significantly more movie analysis than the earlier copies. After giving a quick synopsis of "courtroom movies" of all kinds...including comedy...these two law professors discuss the legal issues raised by the films. For example: Did the lawyers use a correct basis for an appeal, what are the standards for expert witnesses, was the cross-examination proper, did the judge make legal error in failing to grant a motion to disqualify the jurors, did a lawyer make unethical statements in his closing argument, etc. Simply a terrific review of legal procedure for those who love the movies.
I thought I had seen most of the trial movies. I'm a lawyer and have been interested in trials and movies since childhood. But I was wrong---this book has many films I now want to find the time to watch. And the comments in this book are thorough and interesting, although I rise to OBJECT to some of the assertions!
My wife had been looking for this book for some time and was more than pleased to receive it as a Christmas present. It has been out of stock in local brick and mortar stores for several months. It arrived on time and as expected.
I'm very happy with my purchase. The product was in perfect condition and I recieved it in a timely manner.I am very satisfied with the product and service provided.
This book delivered what I expected: explanation of legal aspects in movie scripts and analysis of their accuracy.
Few can escape an active filmgoing life without a twisted view of the law. For as many accurate depictions of courtroom behavior as there are in films, there must be dozens that are not even close. Objections that are baseless and would be laughed out of a real court are routinely sustained in films, for example, while thoroughly objectionable conduct, such as attorneys routinely arguing rather than questioning during examinations, goes unchallenged. Law professors Michael Asimow and Paul Bergman have taken their legal skills and their love of films and combined them in what is a relatively unique film and video guide. While they do adopt the trappings of more familiar video guides (such as rating films on a scale up to four gavels), they provide far more considered reviews than one is likely to find in any other guide (with the notable exception of Roger Ebert's). Both authors are professors at the UCLA School of Law, and they use their considerable contacts at the school to the greatest possible advantage, drawing on the years of learning of nationwide experts in various fields of law. "Reel Justice" is both a celebration of the filmed courtroom battle and an examination of the law underlying the films. All too often, the authors expose the legal lunacy in films, pointing out just how egregiously in error the film is. Where a film is correct, they dutifully point that out, too. Though there may be spots in which the layperson finds the going tough, "Reel Justice" is generally accessible to those without a J.D., and it demystifies the legal system that Hollywood strives so valiently to mystify. Probably, though, the best use for the book is after one sees the movie. (Indeed, the authors pull no punches and reveal many endings, though always with a warning to the reader.) In a time when actual courtroom dramas are more accessible to the general public, whether through the televised criminal trial of O.J. Simpson or through Court TV, a station devoted almost exclusively to televising trials, "Reel Justice" can be a valuable tool for helping a reader separate fact from fantasy. The most serious limitation of "Reel Justice" is that it covers so few films. The depth of the reviews, however, necessitates such a limited selection. Moreover, the rating system serves as an excellent means of seeking out the truly sublime films out there (though there are a few that are not readily available on video).
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